When those passing by or browsing the web first set eyes on the National Museum of African American History and Culture, the newest Smithsonian museum that opened Sept. 24, 2016, on the National Mall mere steps from the Washington Monument, they often see echoes of a slave ship in the building’s architecture.
But visitors to the museum learn the real architectural inspiration behind the bronze-colored and tiered layering of the building when they tour its top floor galleries.Continue Reading
University of Maryland University College (UMUC) Arts Program cordially invites you to a new exhibition by Baltimore-based visual artist James Phillips. Phillips is an exceptional artist who meticulously produces colorful works that broaden one’s understanding of African aesthetics, patterns and symbols by incorporating these cultural references into contemporary compositions.
He describes himself as a product of the Black Power movement, which encouraged African American artists to create works that reflected pride in their history and culture. His works are in many public and private collections throughout the United States. Phillips received his MFA from Maryland Institute College of Art and is an associate professor of art at Howard University.
Funding for this project was provided by the Wolpoff Family Foundation; Maryland State Arts Council; Friends of the Arts Program; and Eva J. Allen, Ph.D., and Nicholas H. Allen, DPA.
January 15–April 16, 2017
9 a.m.–9 p.m. daily
UMUC Arts Program Gallery, Lower LevelUniversity of Maryland University College
College Park Marriott Hotel & Conference Center
3501 University Boulevard East
Adelphi, MD 20783 | Directions
“The Colossus,” an 1818-25 work in the collection of the Museo del Prado, is one of the scariest paintings attributed to the Spanish artist Francisco Goya. In it, mayhem has broken out on the ground and people and animals disperse in all directions as fighting seems to dominate the landscape. But the figures appear as mere ants compared to the giant—his nudity obscured by clouds—that towers above the scene. Fists raised, the giant is reminiscent of the war-god Mars.Continue Reading
The University of Maryland University College (UMUC) community, Dorothy and Henry Rosenberg Jr., and Patricia and Mike Batza, present the exhibition, Horrors of War, by renowned Baltimore artist Joseph Sheppard, Oct. 30, 2016–Oct. 29, 2017.Continue Reading
Lesa Cook’s terra cotta sculpture “Bacchus as Uninvited Houseguest” (2015) comes as advertised. Naked per custom, the Roman god of wine lies on a couch. A laurel wreath and grapes adorn his head. He holds a cup in his hand; his gut is appropriately proportioned for the patron saint of gluttony. The mustachioed figure resembles a familiar uncle, not a denizen of Olympus.Continue Reading
University of Maryland University College (UMUC) Arts Program has announced the winners of its third Biennial Maryland Regional Juried Art Exhibition (BMRE), which opens to the public September 18, runs to December 31, and features works by new and emerging artists from throughout Maryland, Washington, D.C., and Northern Virginia.Continue Reading
It’s an understatement to say that Jon West-Bey, who joined UMUC in March as Arts Program Curator, is a renaissance man.Continue Reading
It was barely an hour past the crack of dawn on June 11, when a bus full of art lovers left the parking lot in Adelphi, Maryland, on a day-long excursion to Newark, New Jersey.
Every artist has a unique style and narrative and embeds personal symbols in his or her work. The exhibit currently on display at the U.S. District Courthouse in Greenbelt, Maryland, and curated by University of Maryland University College (UMUC) Arts Program Director Eric Key serves as testimonial.Continue Reading